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I premi: polemiche bilanci. Le scarpe gialle Fruttero of Claudel and

time poisons and prizes, and chronicles of indignation, to disturbance. Viareggio and Campiello. In the first case, the poet and journalist Mario Baudino quintet proposes to reverse the choice by the jury suggesting Fruttero, Zaccuri, Bugnara (agree, but I suggest a disproportion between the former two seconds). In the second case one has only to read the correspondence online Viareggio prize for understanding the climate in which to play everything. Berardinelli resigns Ficara e Rasy sono tra i dieci firmatari della lettera di protesta indirizzata al sindaco. Franco Loi con le sue Voci di osteria (Mondadori) se l'era gia battuta dichiarando di non voler parteciare alla gara, i tre aspiranti vincitori per l'opera prima Simona Baldanzi (1977) Paolo Colagrande (1960) (già vincitore del "Campiello opera prima") e Paolo Fallai (1959) sono in inbarazzo per essere venuti fino alla serata per niente. Finita la stagione, un bilancio, pensando anche allo Strega . La vittoria di Amanniti mi pare abbia rivelato e consacrato un salto nel campo dei valori economici ed estetici (la breccia, però era di Veronesi), poi salta agli occhi il successo di una scrittrice di forza e maniera, Milena Agus (seconda anche al Campiello) una macina-tam-tam-"libro da niente"- che fa la gioia di Nottetempo e assicura qualche futuro. I giorni innocenti della guerra di Mario Fortunato è interessante per ragioni che ora non dico ma che hanno a che fare con la "postcolonialità" di Saviano, incautamente introdotta e che attiene anche la Vestaglia Blu di Simona Baldanzi. Ma di ciò diremo. Preferisco tacere invece di Le stagioni dell'acqua di Laura Bosio e de Il profumo Snow Franco Matteucci in competition and the winner of the Strega Mariolina Campiello Venice ( thousand years I'm here "Einaudi) which should have been torn by Romuald Bugaro of the labyrinth of passions lost (Rizzoli) and by Alessandro Zaccuri with Mr. son (Mondadori). Coming to poetry, I think I prefer Michele Mari and his "Ladyhawk" to "marble" of Silvia Bre and also in the essays I dissociate myself from votes and inclined strongly in favor of the visual text of Agamben small publishing Marinotti rather than the usual catch-all-Einaudi. Turning finally to
suffered so much Viareggio, Philip Tuena won the day on perhaps more famous (and I always sympathetic) Ermanno Cavazzoni. The novel Tuena but I know I have not read his poems. Sull'intelligentissimo site and meritorious " Nonleggere " you can listen while you read. I invite you to note the name of the publisher that publishes Four Nocturnes (The series "The hesitation" by Joseph Aletti ) and note the usual disproportion between two languages, one that is on the market, and one not. Then I am surprised to see that so much of the writing that sells so much is done by people who, immediately, at first sight, have practiced for isitnto that writing that sell well at all. Examples abound, from the years of Pirandello than of Baudino, and Paola Fois Mastrocola, to name the first three names that come to mind. What did it say in the Cross of writing poetry after twenty years? If he was right to say it loud and clear.

I think back then the other night in Vespa intrvisto quibble of yellow shoes with the moral winner of the Campiello. Ironically on the footwear. He's fine, it Sutor ultra crepidam , but I can think of a little-known anecdote about Dino Buzzati. Surprised as he looked at a color photograph of Paul Claudel , the French diplomat and poet and playwright, against which the fat Claudel Celine aveva (a ragione) schiumato la sua bile, si era sciaguratamente fatto ritrarre con un ginocchio a terra, sul viale di un giardino, nell’atto di cogliere un fiore da un cespuglio. Buzzati, uomo di attenta eleganza, commentò: “Però ha le scarpe gialle”. L’occhio dell'interlocutore corre alle sue, di scarpe; anche l'arguto Rinaldo De Benedetti le aveva gialle. Buzzati cercò di dissipare l’imbarazzo, osservando che Claudel, un poeta, avrebbe dovuto stare più attento. L'imbarazzo delle scarpe, ciclicamente ritorna, come a ricordare che in tutti i giochi c'è sempre qualcuno cui "vogliono fare le scarpe"...

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Even in the South: the young man Saviano and others.

Dalla Sicilia alla città di Basile, Della Porta e Matilde Serao. Sotto l’egida bonaria di Raffaele la Capria e di Enzo Golino (ma esiterà poi, l’egida?), come vanno le cose? Se penso all’abisso che separa l’intransigenza offensiva del “provinciale cuneese” Giorgio Bocca ( Napoli siamo Noi , Mondadori, 2006) mi rendo conto che “l’armonia” è davvero “perduta”, per parafrasare un libro di La Capria uscito nello stesso anno. Eppure, tra le grandi città, Napoli è oggi quella in cui il panorama letterario pare più fiorente. O quello che oggi ha maggior portata di “capitale simbolico”. Troppo facile say that the onset of Saviano (who like numbers far exceeds the number of onset of Brizzi) "pulls up" the whole geographical area, and shifting attention, balances, the following topics: Gomorrah comes to a editorial content and very well prepared ground: that of "deserters" in the homonymous anthology published in 2000 in the series for the Freestyle by Giovanna De Angelis. That includes Anthony Pascale (1966) Joshua Calaciura (1960), Antonio Franchini (1958) Braucci Maurizio (1966), Diego de Silva (1964), David Morandi (1965). Never mind the perhaps too-sponsored Erri de Luca, or Marosi Castaldi and remember instead the polycentric irregular and cultured as Gabriele Frasca (1957) or more "miltanti" as quoted Braucci and lightning and volcanic Lello Voce (1957), leader of a movement of undisputed "democratic poetry" is not just what the " Poetry Slam." Among the narrators of the territory reported at least Peppe Lanzetta (1954) and Giuseppe Montesano (1959). Among the young Piero Sorrentino (1978) and "the big one" that is, the young author of Gomorra , which recently also signed pieces and regular reports for the 'Espresso'. In its issue of August 23
talks about his obsession with the "southern question" and cites Salvemini, Giustino Fortunato and Ernesto Rossi. Southern thinkers who had understood everything. Among politicians Berinotti cites as the only politician who went to Casal di Principe and points with respect to the legalistic Msi Almirante. As if to say: save the radicalism of the base, the thrust that moves to perform the act, accepting the joys (success) and pain (the Commons, and fear) that this entails. For my part I admire Saviano and I think he is the first post-colonial Italian writer. It is not a joke: those who read the article in the interview with Gianluca di Feo can hear it, even in his own way to revive the issue, very important.
Glory, for the ancients, to Hesiod, she was a goddess. But even in Virgil, under the name of fame, beginning to take fearful aspects. A hideous monster that has so many watchful eyes, ears, and how many languages \u200b\u200bhas on the body feathers. Saviano suppose could address the issue and meditate every day. His "different positioning" is not to be found in references to Pamuk, Rushdie, but in fact almost unique in literature written in Italy in recent years, not just an intellectual "protected", in danger for what he said, but also a writer's writing shed. And also why I call it post-colonial Saviano. mutatis mutandis this release was affected also Gavino Ledda, who went to school when it was read to the middle or early high school, the same Saviano's going on, already "adopted" in many schools. Saviano says he is not writing that frees the writer. No. It is the player that frees the writer. The players liberalize destroy the complaint, the conspiracy of silence. I wonder if he also happened after the film and a possible attempt incommunicative and the intransigence of a punctured Aurum Tellus ? I do not think in any event, we'll see. History relaxes and Pirandello had spoken more than once of "pleasure of the story." "Nothing is more calm in history, gentlemen," exclaimed one of his characters. "Everything in life You change continuously under the eyes. Nothing there for sure. While the story is everything determined, everything is established. "And each effect follows obedient to his cause with perfect logic, and each event takes place accurate and consistent in every detail, with the Duke of Nevers, the day that, so this year. etc.. Relaxes less, the story, if anyone's anxiety fartici pass.